Born San Francisco, CA, 1949 Education 1971 B.A. Indiana University, Bloomington, IN Solo Exhibitions 2005 Drawings, Brian Gross Fine Art, San Francisco, CA New Work, Marsha Mateyka, Washington, DC 2004 Recent Works on Paper, Pierogi 2000, Brooklyn, NY 2003 Recent Works on Paper, Brian Gross Fine Art, San Francisco, CA 2001 New Paintings: “Triple Treasure”, Marsha Mateyka, Washington, DC 2000 New Paintings, Marsha Mateyka Gallery, Washington, DC 1998 New Work: Gravity Pools, Marsha Mateyka Gallery, Washington, DC 1995 David Adamson Gallery, Washington, DC 1994 In Black and White, Nancy Drysdale Gallery, Washington, DC 1993 Brody’s Gallery, Washington, DC 1992 Retrospective 1981-91, Brody’s Gallery, (also 1986, 1987, 1989), Washington, DC 1989 Fendrick Gallery, New York, NY 1985 Fendrick Gallery, Washington, DC 1983 Fendrick Gallery, Washington, DC 1982 Barbara Kornblatt Gallery, Washington, DC 1980 Barbara Fiedler, Washington, DC Group Exhibitions 2009 Paper/Mylar/Vellum, Brian Gross Fine Art, San Francisco, CA 2007 Works on Paper, Marsha Mateyka Gallery, Washington DC 2005 Good Vibrations, McKenzie Fine Art, New York, NY 2004 Concentrics, Marsha Mateyka Gallery, Washington, DC 2002 25th Anniversary Exhibition, The Drawing Center, New York, NY 2001 Interplay, curated by Sarah Tanguy, American Physical Society, American Center for Physics, College Park, MD 1996 Drawings: Realism to Abstraction, Contemporary Survey of the Bay Area, Triton Museum, Santa Clara, CA 1995 Irrational Landscapes: Mapping the Unconscious psyche and Non-Terrestrial Spaces, Binghamton State University, Binghamton, NY: traveling to New York Academy of Sciences, New York, NY 1993 NNDG, Emerson Gallery, McLean, CA Cryptics, School 33, Baltimore, MD 1992 Drawn in the 90’s, Katonah Museum of Art, Katonah, NY, Joshua Smith, curator Prints Washington ‘92, Corcoran Gallery of Art, Washington, DC 1991 Recent Acquisitions, Hirshhorn Museum and Sculpture Garden, Washington, DC High Density Abstraction, Proctor Art Center, Bard College, Annandale-on-Hudson, NY 42nd Biennial, Corcoran Gallery of Art, Washington, DC Second Bharat Bhavan International Biennial of Prints, Roopankar Museum of Arts, Bhopal, India (invitational) Collaboration: Prints as Process, Brody’s Gallery and Gallery K, Washington, DC 1990 Bones, Brody’s Gallery, Washington, DC Fendrick at Foster, Foster Gallery, University of Wisconsin at Eau Claire, WI Drawing the Line, Fendrick Gallery, New York, NY 1989 Tools in Art: Tools as Art, Brody’s Gallery, Washington, DC 100 Women’s Drawings, Hillwood Art Gallery, Long Island University, Brookville, NY and traveling (catalogue) Contemporary Drawings, USA traveling to Europe and Pan America, Judith C. Van Wagner, curator (catalogue) 1988 Transcendence, Baumgartner Galleries, Washington, DC Alphanumeric, Brody’s Ten Year Anniversary Show, Arlington Art Center, Arlington,VA Summer Works Gallery, Washington, DC 1987 On Paper, Jane Haslem, Washington, DC 1986 Drawings, Brody’s Gallery, Washington, DC Drawn Out, The Corcoran Gallery of Art, Washington, DC (catalogue) 1985 The Washington Show, The Corcoran Gallery of Art, Washington, DC (catalogue) Selections, The Drawing Center, New York, NY 1984 Labor Intensive Abstraction, The Clock Tower, New York, NY 1982 Juried Painting Show, Arlington Arts Center, Arlington, VA, Jane Livingston, curator 1980 Elements in Art: Form, Arlington Arts Center, Arlington, VA, Louis Andrew, curator (catalogue) Paper: A Group of Changing Uses and Concepts, Gallery 10, Washington, DC 1979 Elements in Art: Texture, Arlington Arts Center, Arlington, VA, David Tannous, curator Public Collections The Artery Organization, Bethesda, MD Cleveland Museum of Art, Cleveland, OH Continental Corporation, Richmond, VA Corcoran Gallery of Art, Washington, DC Crowell & Moring, Washington, DC Federal Reserve Board, Washington, DC Hirshhorn Museum and Sculpture Garden, Washington, DC KPMG Peat Marwick, Washington, DC National Museum of American Art, Washington, DC Phillips Collection, Washington, DC Prudential Insurance Company, Newark, NJ Putnam, Hayes & Bartlett, Inc., Washington, DC Quick, Finan and Associates, Washington, DC Sallie Mae Corporation, Washington, DC Southeast Banking Corporation The Washington Post, Washington, DC Selected Bibliography Allen, Jane Addams, "Drawing on the Intellect", The Washington Times, 11 November, 1986. Baker, Kenneth, "Abstract Painting with a Twist", San Francisco Chronicle, 6 November, 1991. Cameron, Dan, "Is There Hope for Art in Washington?", New Art Examiner, March 1988: pp. 33- 37. Cohen, Jean Lawler, "Formal Abstraction", Museum and Artst Washington, September/October 1989. Collischan Van Wagner, Judith K., "Lines of Vision: Drawings by Contemporary Women", Hudson Hills Press, New York, 1989-90. Dawson, Jessica, "Andrea Way at Marsha Mateyka", The Washington Post, 11/22/01, Arts, p.C5. Dorman, Mark, "Collaboration: Prints as Process", New Art Examiner, April 1991, p.40. Eskin, Otho, "Andrea Way: New Drawings, Brody's Gallery", Washington, Review, December 1987/January 1988, P.23. Forgery, Benjamin, "A Gentle, Funny Tour in No-Man'a Land", Washington Star, May 1980. Garber, Elaine, "Andrea Way, Triple Treasure", Washington Review, spring 2002, p.12. Gibson, Eric, "Corcoran puts painting to test as viable form", Washington Times, 6 September 1991, E2. __________, "On Display: Finding quiet beauty along irregular lines", Washington Times, 24 October 1991, M8. Howard, Beth, "Recommends", Museum and Arts Washington, November/December, 1986, p.15. Huberman, Bernardo A., "An Ecology of Machines", The Sciences, July/August 1989, p. 38 ( illustrations only ). Kessler, Pamela, "Drawn Out: Getting a Line on Seven Artists", The Washington Post, Weekend, 5 December 1986, p. 61. Lewis, Jo Ann, "Andrea Way at Fendrick Gallery", The Washington Post, 27 April 1985. __________, "Andrea Way's Rules of Intuition", The Washington Post, 10 October 1987. __________, "The Visual Launching Pad", The Washington Post, 17 October 1987, D2. __________, "Auras of Abstraction", The Washington Post, 9 January 1988, D2. __________, "Acquisitions", The Washington Post, 25 October 1991, pp. B1,B8. Mahoney, J.W., "Transcendence at Baumgartner", Art in America, April 1988, pp.213-14. __________, "Andrea Way at Brody's", Art in America, April 1990, p. 274. McCoy, Mary, "Alfred de Credico/Andrea Way", New Art Examiner, June 1985, p. 51. __________, "Andrea Way Brody's Gallery", New Art Examiner, Summer 1986, p. 51. McWilliams, Martha, "Shaping Up", City Paper, April, 1993. Posner, Helaine, "Andrea Way: Drawings: The Standard Bearer", exhibition catalogue, Brody's Gallery, Washington, DC __________, Print Collector's Newsletter, vol XXI#4, September/October 1990, ( review of "Shark" ). Protzman, Ferdinand, "The Inviting Depths of Andrea Way's Pools", The Washington Post, 3/23/200, p. C5 __________, "The Force is With Her", The Washington Post, 9/17/98, p. D5 __________, "Musical Geometric Abstraction", The Washington Post, 9/30/95, p. D2 Raynor, Vivien, "Art Selections 28, The Drawing Center", The New York Times, 3 February, 1985. Richard, Paul, "Whimsical Way with Patterns", The Washington Post, 5 April 1986. __________, "Spectrum of Superlatives", The Washington Post, 29 November 1986, D14. __________, "Abstract and Personal, At the Corcoran Biennial, a Passionate Bow to the Past", The Washington Post, 6 September 1991, pp. F1, F6. Rifkin, Ned, "Drawn Out", exhibition catalogue, Corcoran Callery of Art, November 1, 1986 through February 1, 1987. Risatti, Howard, "Reviews Washington, DC", Artforum, January 1990, p. 146. Russel, John, "Memorable Images in an Anthology of Drawing", The New York Times, July 1992, 5J. Schmerler, Sarah, "Seeing Brooklyn in the Details", Art on Paper, May/June, 2003, p.48 - 51. Shannon, Joe, "Andrea Way at Marsha Mateyka", Art in America, October, 2002, p. 168 Tannous, David, "Report from Washington, DC", Art in America, Summer 1982. Thorson, Alice, "Galleries", The Washington Times", 11 November 1986. __________, "Galleries: Two Approaches to the Group Show", The Washington Times, 30 July 1987. __________, "Brushing the Surface", City Paper, 26 September 1991. Welzenbach, Michael, "A Way with Patterns", The Washington Post, 7 October 1989, C2. Welzenbach, Michael, "Galleries: Andrea Way at Brody's Gallery", The Washington Post, 19 October 1991, D1. Wilson, Janet, "Heavenly Hodgepodge: At the Hirshhorn, Trotting out the Recent Acquisitions", The Washington Post, 25 October 1991, B1, B8. __________, "The Euclidian Rainbow", The Washington Post, 17 April 1993, C2. Artist's Website http://1andreaway.blogspot.com/
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